New Sentinel

Category: Entertainment

  • Obasanjo Set To Unveil 999 Memoir of Charly Boy in Tribute to Justice Oputa In Lagos ..as music and cultural icon champions men’s health awareness

    Obasanjo Set To Unveil 999 Memoir of Charly Boy in Tribute to Justice Oputa In Lagos ..as music and cultural icon champions men’s health awareness

    Former President Chief Olusegun Obasanjo will headline the public presentation of 999, the latest memoir by iconic entertainer, social activist and television personality, Charles Oputa, popularly known as Charly Boy, at a special event in Lagos dedicated to celebrating the extraordinary life and enduring legacy of the late Justice Chukwudifu Oputa.

    Scheduled for Friday, July 31, 2026 at the Alliance Française de Lagos/Mike Adenuga Centre, Osborne Road, Ikoyi, Lagos, the event promises an unforgettable evening where legacy meets literature, storytelling inspires reflection and advocacy drives social impact.

    The presentation, to be led by Chief Olusegun Obasanjo, will honour the memory of Justice Oputa, whose unwavering commitment to justice, integrity and the rule of law left an indelible mark on Nigeria’s legal and democratic history. It will also celebrate the remarkable life journey of Charly Boy, an unconventional public figure whose fearless advocacy, artistic expression and unwavering commitment to social justice have influenced generations of Nigerians.

    With the compelling tagline, “A Story. A Legacy. A Rebellion in Ink,” 999: The Memoir of Charly Boy offers an unfiltered account of a life defined by courage, controversy, creativity and conviction. It also offers readers an intimate and thought-provoking account of the author’s life, from his upbringing as the son of one of Nigeria’s most respected jurists to his emergence as one of the country’s most outspoken cultural figures. The memoir explores themes of identity, family, resilience, courage, rebellion and purpose, presenting a powerful narrative of a life lived on its own terms.

    In 999: The Memoir of Charly Boy, Charles Oputa offers an unfiltered account of a life defined by courage, controversy, creativity and conviction. From challenging societal norms to championing the rights of ordinary Nigerians, the memoir chronicles the experiences that shaped one of Africa’s most unconventional and influential public figures.

    Beyond its literary significance, the event will also support the Charly Boy Foundation, which is championing nationwide awareness of men’s health, with a particular focus on prostate cancer advocacy. Through sustained public education and awareness campaigns, the Foundation seeks to encourage regular screening, early detection and timely treatment, helping to improve health outcomes for men across Nigeria.

    The event is expected to attract an array of distinguished personalities, including leaders from government, the judiciary, the diplomatic corps, the private sector, civil society, academia, healthcare, media, and the creative industries, as well as literary enthusiasts and members of the public.

    Speaking ahead of the memoir’s unveiling, the music icon said it is “more than a personal story.”

    “This book is about truth, courage and the freedom to be yourself despite the odds. It is my tribute to my father, whose sense of justice shaped my worldview, and my gift to every Nigerian who has ever dared to be different. If it also encourages more men to pay attention to their health, then its mission extends far beyond literature.

    “999 is not just about me. It is about courage, truth, legacy and survival. It is a reflection of where I come from, the values my father stood for, the battles I have fought and the hope that our stories can inspire others to live boldly, care for themselves and never give up,” Charly Boy said.

  • POLO AVENUE INVITES LAGOS TO ITS EXCLUSIVE 2026 SAMPLE SALE

    POLO AVENUE INVITES LAGOS TO ITS EXCLUSIVE 2026 SAMPLE SALE

    Polo Avenue, Nigeria’s premier luxury fashion destination, is set to
    host its highly anticipated 2026 Sample Sale, offering discerning shoppers an
    exclusive opportunity to discover exceptional luxury fashion at remarkable prices.
    Taking place from 11th – 25th July 2026 at 59 Raymond Njoku Street, Ikoyi, Lagos, the
    two-week shopping experience will feature a carefully curated selection of readyto-wear, handbags, shoes and accessories from some of the world’s most coveted
    luxury maisons, including Dolce & Gabbana, Bottega Veneta, Casablanca, and
    more, with up to 70% off selected pieces.
    Designed as more than a seasonal sale, the Polo Avenue Sample Sale offers clients
    the opportunity to experience luxury retail in an elegant setting while discovering
    iconic pieces from globally renowned fashion houses. Whether refreshing a
    wardrobe or investing in timeless statement pieces, visitors can expect exceptional
    value without compromising on quality, craftsmanship or style.
    Open daily from 11:00 a.m. to 7:00 p.m., the Sample Sale will showcase limited
    quantities across multiple luxury categories, with new discoveries awaiting clients
    throughout the event.
    With exceptional pieces available in limited quantities, early visits are strongly
    encouraged to enjoy the widest selection before they are gone.
    Clients are also invited to follow Polo Avenue’s social media platforms for exclusive
    previews, product highlights and updates throughout the two-week shopping
    experience.

  • UK GOVT LAUNCHES CREATIVE FUND TO BOOST LOCAL PRODUCTION IN NIGERIA’S CREATIVE INDUSTRIES

    UK GOVT LAUNCHES CREATIVE FUND TO BOOST LOCAL PRODUCTION IN NIGERIA’S CREATIVE INDUSTRIES

    • First‑phase fund supports ETIP Creatives Working Group priorities and deepens UK‑Nigeria collaboration across film, fashion and music

    The UK-Nigeria Technology Hub has launched its Creative Fund, a first‑phase grants initiative designed to address critical technical capacity gaps across Nigeria’s film, fashion, and music industries. The fund will support the development of local digital production capacity, encourage the adoption of modern creative technologies, and promote the responsible use of Artificial Intelligence (AI), to strengthen Nigeria’s creative value chain.

    The initiative directly supports the priorities of the UK‑Nigeria Economic Transformation and Investment Partnership (ETIP) Creatives Working Group launched in March 2025 and the delivers on commitments made during President Tinubu’s State visit to the UK in March 2026. It is designed to ensure that high potential creative projects can access the technical talent, tools, and resources required to produce, scale and complete their work locally.

    Funded by the UK-Nigeria Tech Hub, under the UK Government’s Digital Access Programme and implemented by Tech4Dev, the Creative Fund responds directly evidence gathered through the State of the Creative Innovation Ecosystem in Nigeria, study in 2024. Drawing on over 1,700 survey responses, and fieldwork across seven states, the research showed that Nigeria’s creative economy employs approximately 4.2 million people and contributes around US$3 billion to GDP annually.

    Despite this scale, the sector continues to face structural constraints – over 80% of practitioners are self-taught, fewer than 10% have access to formal financing, and high-value technical work is routinely outsourced outside the country. The Creative Fund is a direct response to these gaps, and central to the work of the ETIP Creative working Group.

    Oyinkansola Akintola‑Bello, Director of the UK‑Nigeria Tech Hub, said:

    “Nigeria’s creative sector already delivers real economic value, and both governments have committed under the UK‑Nigeria Economic Transformation and Investment Partnership to supporting its growth. Through the ETIP Creatives Working Group, we are moving from ambition to action. The Creative Fund is a practical first‑phase intervention that addresses critical gaps in skills, infrastructure, and access to advanced tools, enabling Nigerian creatives to produce and scale high‑quality work locally.”

    The Fund will support high-potential creative projects covering three industries; Film, Fashion, Music and will focus on initiatives that demonstrate strong potential for impact, scalability, and job creation. It will subsidise projects that need to close technical gaps including critical specialists like VFX artists, sound engineers, post-production editors, and design professionals, or the digital tools and resources that make professional-quality work possible locally, for example digital asset management systems, content delivery tools, Digital Rights Management solutions, and AI-driven production technologies. The aim is straightforward; Nigeria’s best creative work should be made in Nigeria.

    Abraham Akpan, Tech4Dev’s Country Manager for Nigeria and Sub-Saharan Africa said:

    “The Creative industries are a core part of the digital economy, bringing together technology, culture and entrepreneurship. This Fund is about ensuring that Nigeria’s creative success is underpinned by sustainable local talent and capacity, while deliberately expanding access to tools, skills and finance for those who have been historically excluded. By prioritising women-led enterprises, youth-led ventures, and underrepresented groups, the fund embeds inclusion into every stage of delivery.”

    The Fund is open to creative companies, studios, production houses, fashion enterprises, and music labels leading projects with clear technical needs. Applications will be assessed on project quality, its potential for local and international impact, and the applicant’s level of commitment to co-investment. The initiative also encourages the responsible use of emerging technologies, including artificial intelligence with selected projects expected to explore its application in production, storytelling, and innovation.

    Applications are open now and will be accepted on a rolling basis throughout the programme period.

    Application link: Thecreativefund.ncegii.org

  • Showmax customers to enjoy up to one month offer on DStv Stream Compact

    Showmax customers to enjoy up to one month offer on DStv Stream Compact

     
    • Eligible Showmax customers will continue to stream on DStv Stream on Compact until 31 May 2026
    • Stay active on Stream and continue at N6,500 per month for 12 months – over 65% off standard pricing
    Following the discontinuation of the Showmax service on 30 April 2026, MultiChoice, a CANAL+ company, has announced that eligible Showmax subscribers in Nigeria will receive trial access to DStv Stream Compact for a limited period, as part of the move to a single streaming home on DStv Stream.
    After the trial period, qualifying customers can continue on DStv Stream Compact at a special price of N6,500 per month for 12 months, provided the subscription remains active throughout and payments are up to date.
    The offer gives Showmax customers access to a significantly expanded content experience, including live TV, international series and movies, kids’ content and live sports via SuperSport, available on mobile devices and smart TVs.
    How the trial access works
    Eligible Showmax customers will receive trial access to DStv Stream Compact until the end of May. The offer and details on how to take up the offer will be communicated directly via the email address linked to their Showmax account.
    After the trial period, customers can continue on DStv Stream Compact at N6,500 per month for 12 months, provided payments remain up to date.
    The offer applies to Showmax customers who do not have an active DStv subscription and who subscribed directly to Showmax. It excludes existing DStv customers who already receive Showmax content as part of their package that is, who add Showmax to their DStv bill.
    • Eligibility is confirmed via email sent to the Showmax account address
    • Includes all Showmax plans, including Showmax Premier League
    • Eligible customers receive free access until end May, then pay N6,500 per month for 12 months – a saving of over 65% compared to standard DStv Compact Stream pricing – as long as payments remain up to date.
    • Standard pricing for DStv Stream Compact is from N19,000 per month
    Showmax subscriptions will not migrate automatically. Customers who wish to continue watching will need to follow the simple sign-up process for DStv Stream shared via email, and create a new profile, all of which takes less than five minutes.
    Customers who choose not to move to DStv Stream may request a refund for any unused portion of their Showmax subscription by sending an email to help@showmax.com, subject to standard terms and conditions. Auto payments to Showmax will stop automatically once the service is discontinued.
    The Showmax platform will be discontinued on 30 April 2026, with Showmax Originals continuing on DStv Stream.
    Terms and conditions apply. Full eligibility details will be available on dstv.com, and any updates will be communicated directly to customers via email.
  • Mo’Afrique Scales African Fashion with Launch of ‘Modish’ and High-Capacity Garment Factory

    Mo’Afrique Scales African Fashion with Launch of ‘Modish’ and High-Capacity Garment Factory

    L- R: Administrative and Operations Officer, Marvelous Samuel;  Founder and Creative Director, Omobolanle Olawole; and General Manager, Olateju Titus, Mo’Afrique Fashion at the announcement of Modish brand of garments at a Press Conference on Friday in Lagos

    In a decisive move that signals a new phase for Africa’s fashion industry, Mo’Afrique has announced its expansion into the mass-market segment with the launch of Modish, a high-volume fashion brand, alongside the commissioning of a state-of-the-art garment manufacturing facility. Both will be officially unveiled on April 26, 2026.
    This strategic evolution positions Mo’Afrique not just as a design-led fashion house, but as an
    emerging industrial player redefining how African fashion is produced, scaled, and consumed.
    Modish is engineered to close a longstanding gap in the market, where premium aesthetics meet
    scalable production. The brand responds directly to rising demand from corporates and
    institutions seeking high-quality, identity-driven apparel delivered with consistency, speed, and
    volume. It translates Mo’afrique’s design excellence into a structured, production-led model
    capable of serving Africa’s growing workforce and institutional sectors.
    The debut line, Modish Formals, will anchor this vision. Focused on refined corporate wear, it
    combines tailored design sensibilities with industrial reliability, setting a new benchmark for
    large-scale garment production that does not compromise on style or brand expression.
    At the heart of this expansion is a newly established industrial garment factory, purpose-built for
    scale and precision. The facility will produce a wide range of uniforms, including military and
    paramilitary apparel, corporate wear, and institutional garments—positioning the company to
    serve both public and private sector demand at scale. This marks Mo’Afrique’s entry into the
    high-volume manufacturing space, a critical step in localising production and strengthening
    Nigeria’s industrial capacity.
    Speaking on the launch, Omobolanle Olawole, CEO of Modish Formals, noted: “This expansion is
    a direct response to market demand. Over the years, our corporate clients have consistently
    required more than bespoke fashion—they need structured, high-quality garments that reflect
    their brand identity and can be delivered at scale. Modish is our answer to that need.”
    As a subsidiary of the M3 Group, Modish is strategically positioned to become a key player in
    Nigeria’s bulk garment industry, bringing together design innovation, production efficiency, and
    operational discipline to deliver consistent value at scale.
    In an exclusive interaction, New Sentinel learnt that Mo’afrique , founded in 2016,  has built a strong reputation for blending African heritage with contemporary elegance in the premium fashion space.

    With the launch of Modish, the brand enters a new growth phase, extending its commitment to quality, craftsmanship, and identity into the mass market and industrial garment sector.

  • Showmax Originals have a new home on DStv Stream

    Showmax Originals have a new home on DStv Stream

    • Showmax Originals and select titles are moving to DStv Stream, where they will live in a dedicated Showmax section within the app.
    • The move ensures award-winning African stories remain widely available after the Showmax service closes on 30 April 2026.
    • DStv Stream brings together on-demand entertainment and live TV, including sports, in one streaming destination.
    • Showmax content on DStv will be available to Compact, Compact Plus and Premium packages on satellite and streaming-only customers via the DStv Stream app
    • Existing Showmax customers will be migrated to DStv Stream on Compact and continue to stream until 31 May 2026 at no extra cost.
    • More movies and series will be added over the coming weeks.
    MultiChoice, a CANAL+ company, has announced that the titles which defined Showmax will continue to be available to audiences on DStv Stream from 1 April 2026. A dedicated Showmax section within the platform will bring together a curated selection of the service’s most acclaimed originals and fan-favourite titles.
    This content will sit alongside DStv Stream’s live channel offering, available to subscribers across DStv Compact, Compact Plus and Premium packages. Showmax customers with existing subscriptions will be migrated to DStv Stream on Compact and continue to stream until 31 May 2026 at no extra cost.
    The move ensures that the award-winning African series that helped establish Showmax as one of the continent’s most influential streaming platforms remain widely available within the broader DStv Stream experience, after the current Showmax service closes on 30 April 2026.
    “This move reflects DStv’s long-term commitment to streaming, bringing together on-demand entertainment and live television in a single platform designed around how audiences want to watch today,” said Kemi Omotosho, Chief Executive Officer of MultiChoice Nigeria.
    “Showmax helped unlock a wave of world-class African storytelling. Series like WURA, Flawsome, Cheta M and The Real Housewives of Lagos, along with productions from across the continent, were created through collaboration between MultiChoice’s content teams and local producers. That commitment to African storytelling does not change,” she added.
    The success of Showmax Originals has been built through partnerships with producers, writers and creative talent across Africa. Series such as Spinners, a co-production between MultiChoice and CANAL+, which aired across Africa and in France, demonstrate how locally developed African stories are increasingly reaching global audiences. DStv Stream remains the platform where this content is available locally, alongside a much broader library of African and international content, live channels and sport.
    What will be available to watch?
    The dedicated Showmax section on DStv Stream will feature standout titles including WURA, Flawsome, Cheta M, Princess on a Hill and Under the Influence alongside popular series from across the continent such as The Wife (South Africa) and Single Kiasi (Kenya).
    This sits alongside everything else available on DStv Compact, Compact Plus or Premium Stream, including tens of thousands of hours of on-demand movies and series and more than 100 live channels available to stream 24/7.
    For customers it delivers the best of both worlds: popular local originals and premium international channels, plus kids’ programming and world-class sport, reinforcing DStv as Africa’s most comprehensive entertainment platform.
    Sports remains a key part of the experience. Through SuperSport, subscribers can watch competitions such as the Premier League, UEFA Champions League, LaLiga and Serie A, as well as additional sports channels like ESPN. Unlike Showmax Premier League, which was only available on mobile devices, DStv Stream can be viewed on smart TVs as well as mobile devices.
    How to get Showmax on DStv
    Customers can download the DStv Stream app or visit the DStv website, log in or sign up, and navigate to the Showmax section. Showmax Originals on DStv Stream are available on DStv Compact, Compact Plus and DStv Premium packages.
    Beyond its content library, DStv Stream offers familiar streaming features such as live and on‑demand viewing in one place, pause and rewind on live TV, Watch from Start, offline downloads and personalised recommendations.
  • Liverpool vs Tottenham Hotspur : Richarlison fires home late equalizer for Spurs

    Liverpool vs Tottenham Hotspur : Richarlison fires home late equalizer for Spurs

    *Richarlison scored a late equaliser for Tottenham on Sunday.

    Richarlison’s 90th-minute equaliser earned Tottenham’s under-fire interim head coach Igor Tudor a stay of execution with a 1-1 draw at Anfield as Liverpool conceded another late goal to dent their Champions League qualification hopes.

    Substitute Randal Kolo Muani held off Virgil van Dijk to roll a pass for the Brazil international to slot past international team-mate Alisson Becker and have Tudor punching the air as he ran out of his technical area to celebrate his first point in his five matches.

    The result hardly strengthened the Croatian’s position as they remain in deep trouble but it did move Spurs a point above the relegation zone.

    Boos which rang around Anfield at the final whistle after Richarlison’s fifth goal at Anfield highlighted the level of discontent at another underwhelming performance from Arne Slot’s side after taking a first-half lead.

    Goalkeeping issues cost Tottenham again them with Guglielmo Vicario failing to adequately deal with Dominik Szoboszlai’s 18th-minute free-kick.

    Vicario had been restored to the starting line-up after Tudor’s decision to start Antonín Kinsky against Atletico Madrid in the midweek Champions League contest ended with him being substituted after 17 minutes having been at fault for two of three goals.

    If there was any defence for the Italian goalkeeper, and there was little, it was that Szoboszlai has now scored four direct free-kick goals in the Premier League this season.

    It is the most by a Liverpool player in a single campaign with only David Beckham (2000-01) and Laurent Robert (2001-02) — both scoring five — having managed more and the Hungary captain is now responsible for a quarter of all free-kick goals in the league this season.

    But frustrations rose at the lack of open-play chances and that turned into anger when former Everton forward Richarlison equalised in front of the Kop.

    Slot has to answer more questions about another sub-par display. Although the point moved them fifth place they failed to capitalise on Chelsea’s defeat on Saturday.

    There was an air of tension inside Anfield and that seemed to extend to Tudor, who appeared to confuse Tottenham’s bald-headed player liaison officer Allan Dixon for Slot on the touchline, greeting the club’s member of staff with a friendly arm around his waist before walking over to the home dugout.

    But the anxiety was also felt on the pitch, where Slot had opted for pace on both flanks, handing 17-year-old Rio Ngumoha his first Premier League start and preferring Jeremie Frimpong to the out-of-form Mohamed Salah.

    Based on some of the individual performances in the Champions League defeat to Galatasaray Salah, Ibrahima Konaté, Milos Kerkez and Hugo Ekitike could have no complaints about being left out.

    Spurs’ injury and suspension problems meant they were without 12 players, including their first-choice centre-back pairing, and could name only seven substitutes, of which only two were senior outfield players.

    Szoboszlai eased the nerves with another 25-yard special which Vicario got a full hand to but could not keep out. He did better in tipping Ryan Gravenberch’s strike onto the post.

    But Richarlison, playing alongside Dominic Solanke up front, was proving a nuisance with three good chances either side of half-time.

    Ngumoha, who took his time to get into the game, had a rare shot across the goal but in his television commentary former Liverpool defender Jamie Carragher said his old team were “sleepwalking” through the game.

    The triple substitution of Salah, Ekitike and Curtis Jones failed to energise them and Tottenham seized on that vulnerability to snatch a point.

  • The Kemi Omotosho Era: Navigating the Storm to Reclaim MultiChoice Nigeria’s Golden Age By Godwin Anyebe 

    The Kemi Omotosho Era: Navigating the Storm to Reclaim MultiChoice Nigeria’s Golden Age By Godwin Anyebe 

    As the sun sets on John Ugbe’s historic 15-year tenure, the dawn of 2026 brings a new captain to the helm of MultiChoice Nigeria. Kemi Omotosho, a veteran with over two decades of experience in the trenches of African media and telecommunications, steps into the role of Chief Executive Officer at a time that can only be described as a “trial by fire.”

    ​The appointment is not merely a change in personnel; it is a critical pivot for a company that has long defined the Nigerian home entertainment landscape but now finds itself at a crossroads. Omotosho’s desk is already piled high with the residues of a volatile economy and a rapidly shifting consumer culture. To succeed, she must go beyond administrative continuity; she must wield a “magic wand” of radical innovation and deep empathy for the Nigerian consumer.

    ​The most daunting challenge Omotosho inherits is the undeniable exodus of subscribers. For the first time in over a decade, the “once beautiful bright” screens of DStv and GOtv are going dark in many Nigerian households, not due to technical faults, but due to financial exhaustion.

    ​According to a 2025 financial report by MultiChoice Group, the Nigerian subsidiary suffered a staggering 44% drop in subscription revenue, falling to approximately $197.74 million for the fiscal year ending March 2025. Even more sobering is the subscriber count: MultiChoice has lost roughly 1.4 million Nigerian subscribers since 2023. Nigeria alone accounted for 77% of the total subscriber losses across the group’s “Rest of Africa” segment.

    ​This decline is driven by a “perfect storm” of macroeconomic factors:

    ​Hyper-Inflation: With inflation rates peaking above 30% in 2024 and 2025, the Nigerian middle class, the bedrock of pay-TV, has been forced to choose between food on the table and the English Premier League.

    ​Currency Volatility: The persistent depreciation of the Naira has made the cost of acquiring international content (priced in Dollars) prohibitively expensive, forcing frequent and unpopular price hikes.

    ​Alternative “Shadow” Markets: The rise of unregulated IPTV services and Android TV boxes, offering thousands of channels for a fraction of the cost, has cannibalized the lower and middle-tier markets.

    Navigating the Storm

    ​To stabilize the ship, Omotosho’s first 100 days must focus on “Value Perception.” The Nigerian customer doesn’t just want entertainment; they want to feel that their hard-earned Naira is respected.

    For years, Nigerians have clamored for “Pay-As-You-Go” or more granular billing systems. While MultiChoice has historically resisted this, citing the nature of satellite broadcasting, the new MD must find a middle ground. Introducing “Daily” or “Weekend” passes for specific high-value events, like a Super Sunday football match or a Big Brother finale, could bring back the millions who have disconnected because they cannot commit to a 30-day “all-you-can-eat” buffet they barely have time to consume.

    International content is expensive and susceptible to forex shocks. Local content is the antidote. Omotosho’s vision to “champion local storytelling” must move from a corporate slogan to a survival strategy. By investing more in indigenous languages (Hausa, Igbo, Yoruba) and local “telenovelas” that mirror the current Nigerian reality, the company can create a “stickiness” that Hollywood movies cannot replicate.

    The future is streaming. With internet penetration growing despite economic woes, Omotosho must accelerate the migration to Showmax. By bundling mobile-only streaming plans with low-cost data from telecom partners, she can capture the Gen Z and Millennial demographic that views a satellite dish as an ancient relic.

    ​What is the “magic wand” that will convince customers to return? It isn’t just a price slash, it’s a reimagined relationship. In November 2024, the company began reducing decoder prices (DStv to ₦7,900 and GOtv to ₦6,500) as a gesture of goodwill.

    However, the real magic lies in unbundling. If Omotosho can break the “sports-only-on-Premium” barrier, she will unlock a reservoir of dormant subscribers. A “Sports-Light” package that offers only the top football matches at a price point accessible to the average worker would be the ultimate game-changer.

    ​Furthermore, she must leverage her background in Customer Value Management. This means using data to reward loyalty, not just with promos for new users, but with “inflation-relief” discounts for long-term subscribers who have stuck with the brand through thick and thin.

    ​Kemi Omotosho’s leadership comes at a “pivotal time,” as she rightly noted. Her predecessor, John Ugbe, built the foundation of a dominant empire. Omotosho’s task is to transform that empire into a nimble, digital-first entity that thrives on inclusivity rather than exclusivity.

    ​The Nigerian market is dynamic and resilient. If the new MD can prove that MultiChoice is not just a “collector of subscriptions” but a partner in the Nigerian experience, she will not only stem the tide of losses but lead the company into a new era of “sustainable value.”

    Culled from Consumer Assembly platform

  • Glo Introduces ‘Travel Saga’, Its Most Powerful Gaming Experience Yet

    Glo Introduces ‘Travel Saga’, Its Most Powerful Gaming Experience Yet

    Globacom is turning up the style in mobile entertainment with the launch of Travel Saga, a premium, action-packed  gaming experience now live and available exclusively to subscribers on the Glo network.

    Travel Saga is a story-driven role-playing adventure game built to deliver the adrenaline, immersion, and competitive thrill that gamers around the world love in top global titles like Call of Duty. Fully optimised for mobile access, the game brings a console-style experience straight to data-enabled handsets, transforming everyday mobile gaming into a full-scale digital battlefield.

    Travel Saga takes players on fast-paced virtual journeys across iconic locations around the world. Gamers dive into intense missions, face off against opponents, unlock endless storylines, and rise through the ranks as war heroes in a dynamic and highly engaging gaming universe.

    With Travel Saga, Glo subscribers can explore global destinations, engage in thrilling battles, compete in action-filled challenges, and earn in-app rewards such as victory badges and points, all while enjoying a rich, immersive experience that keeps the excitement going at every level of play.

    The service is available on flexible subscription plans, priced at N100 per day and N250 per week, with options for one-time or auto-renewal. customers can subscribe by dialing *70021# to jump straight into the action.

    Travel Saga reinforces Glo’s commitment to innovation and premium digital experiences, giving subscribers access to world-class gaming that delivers nonstop action, adventure, and competition right on the network.

     

     

  • Nigerians Cancels DSTV As 2.7m Subscribers Boycott Subscriptions Over Cheaper Options

    Nigerians Cancels DSTV As 2.7m Subscribers Boycott Subscriptions Over Cheaper Options

    Multichoice’s DSTV is facing its toughest time in over a decade as it lost 2.7 million subscribers between 2023 and end of 2025 due to combination of several factors, including cheaper streaming alternatives, low income and tight economic policies across Africa.

    From a high of 17.2 million subscribers in 2023, the pay-TV firm’s subscriptions fell to 14.5 million by the end of 2025 and is expected to fall further due to local and global issues impacting its services. As of June 2024, the company had only lost 1.4 million subscribers.

    DSTV has a new owner, Canal+, but it appears that the company still faces a number of challenges. Its customers across Africa are hard hit by shrinking wallets and policy flop-flops. Across Africa, subscribers are switiching to cheaper options, including IPTV, SLTV, Andriod TV box, eVOD, among others. As DSTV raises rates, subcribers are forced to seek alternative streaming platforms that can give them same value at cheaper rates.

    Sweeping reforms have been introduced in Nigeria to turn the nation from command and control to market-driven economy, but high level of poverty persists. About 133 million citizens are in multidimensional poverty. The middle-class, which should patronise companies like DSTV, has been wiped by years of policy flip-flops.

    South Africa has eliminated power shortages and now tackles logistics bottlenecks preventing the economy from benefitting from a boom in metals including gold and platinum. Yet, the reforms have not lifted millions out of poverty.

    “The pace of growth remains insufficient to meaningfully reduce extreme poverty or create the quantity and quality of jobs needed to meet the demands of a rapidly growing labor force,” the World Bank said in October 2025.
    “Africa is experiencing the world’s largest and fastest demographic shift. To harness this opportunity, countries must accelerate growth that delivers high-quality jobs.”

    Canal+ battled late last year to hold onto 12 Warner Bros Discovery (WBD) channels that were supposed to disappear on January 1st for African subscribers. They are staying on DStv due to a last-minute deal struck on December 31, 2025. The channels are CNN, Cartoon Network, Discovery Channel, Food Network, HGTV, Investigation Discovery, TLC, TNT Africa and Travel Channel.

    Netflix had announced a $72 billion agreement to buy WBD’s studio and streaming assets, including Warner Studios, HBO and the DC entertainment catalogue. Paramount Skydance had subsequently launched a hostile $108 billion all-cash bid for the entire WBD group. The deal could see Multichoice lose some of its channels.

    MultiChoice Nigeria’s subscription revenue declined by 44 percent to $197.74 million in the financial year ended March 2025, down from $355.93 million recorded in the same period a year earlier, as rising inflation and a worsening economic climate triggered a mass exit of subscribers.